His poems have given voice to a nation and helped forge an entirely new genre of music, dub/rhythm poetry. Revolutionary, fiery, scathing, and stinging, Mutabaruka's words are as potent on paper as on CD, and so the literary community needed to create a new term just for his works -- meta-dub. Born in Rae Town, Jamaica, on December 12, 1952, Allan Hope first realized the power of the word when he was in his teens. It was the '60s; the Black Power movement was at its height, and numerous radical leaders were putting their thoughts and histories in print. Malcolm X and Eldridge Cleaver formed the roots of Hope's own aspirations, although his initial career choice was far removed from their paths. Leaving school, the young man apprenticed as an electrician, and took a job at the Jamaican Telephone Company. Hope was already writing, however, and in 1971 he quit his job to pursue his craft full-time. He moved away from the hustle and bustle of Kingston out to the quiet of the Potosi hills, in the parish of Saint James. Not long after, one of his poems was accepted by Swing magazine and from that point on, they would regularly publish his work.